I got to see it first at the Public last year (as it turns out, the same performance that the Clintons attended, which provided layers of irony and heightened awareness for the entire audience, as we watched a former and possibly future President watch actors playing past presidents and politicians). The performance grabs you and holds you for 2½ hours. It’s fast, kinetic, beautifully designed, superbly performed. From the moments the lights come up, it’s electric, exhilarating, pulsing, infectious. For Your Viewing Pleasure: Gender, Sexuality, and Popular Culture.Feminist Performance Festival Roundtable (2011).“Feminism, Utopia, and Performance”: The Progressives Corner (2012).Performing Que(e)ries Part IV: Holly Hughes in conversation with Jill Dolan (2013).“What Makes a Jewish Theatre Artist” (2013).Teaching and Mentoring, for Grad Students and New Faculty.“Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein” (2008). ![]()
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